Central gallery: Floor: “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet. Wall from left: “Paul Bremer”, 2016, wood, cast plastic, chipboard, acrylic, MDF, wire, foam, sand, ink 14(W) x 24(h) x 6(d) inches; “KSW/ Keeping Scientology Working”, 2018, wood, cast plastic, cast foam, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Russell Targ”, 2018, wood, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Bridge To Total Freedom No.3 (Diminishing Returns)”, 2017, wood, laser-cut MDF, cast plastic, plaster ink, acrylic, polycrylic, paper, latex 24(w) x 48(h) x 1.5(d) inches.
Central gallery: “Lee Greenwood: Front Elevation”, 2014, mixed media: Wood, acrylic, enamel, & paper, 19.5(w) x 24(h) x 18(d) inches.
Central gallery: Floor: “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet. Wall from left: “KSW/ Keeping Scientology Working”, 2018, wood, cast plastic, cast foam, laser cut MDF, acrylic, ink 24(w) x 48(h) inches.
West gallery: “Neil Before Zod: Clementine”, 2018-2020, wood, elevator padding, steel, moveable cart, architectural model (within), audio track 3.5(w) x 6.5(h) x 7(l) feet.
West gallery: From left: “Neil Before Zod: Clementine”, 2018-2020, wood, elevator padding, steel, moveable cart, architectural model (within), audio track 3.5(w) x 6.5(h) x 7(l) feet; “Archaeopteryx”, 2016, wood, MDF, plaster, ink, acrylic, latex, 18(h) x 18(w) x 1(d) inches.
West gallery: From left: “Archaeopteryx”, 2016, wood, MDF, plaster, ink, acrylic, latex, 18(w) x 18(h) x 1(d) inches; “Neil Before Zod: Clementine”, 2018-2020, wood, elevator padding, steel, moveable cart, architectural model (within), audio track 3.5(w) x 6.5(h) x 7(l) feet.
Central gallery: From left: “Latent Condition No.3 (Nicholas Urfe)”, 2018, wood, laser cut birch & oak, stains, latex, polyurethane, 24(h) x 36(w) x 1(d) inches; “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet.
View into west gallery: From left: “Archaeopteryx”, 2016, wood, MDF, plaster, ink, acrylic, latex, 18(w) x 18(h) x 1(d) inches; “Latent Condition No.3 (Nicholas Urfe)”, 2018, wood, laser cut birch & oak, stains, latex, polyurethane, 24(h) x 36(w) x 1(d) inches.
View into west gallery: from left: “Resting Bitchface No.1”, 2017, wood, MDF, cast plastic, plaster, ink, acrylic, latex, 18 1⁄2(h) x 18 1⁄2(w) x 1(d) inches; “Knee Vignette #3”, 2017, wood, laser-etched chipboard, laser-cut plywood, latex, enamel, paper, ink, polyurethane, tea, 12(h) × 18(w) × 6(d) inches; “Knee Vignette #1”, 2016, wood, fiberglass, chipboard, latex, enamel, paper, ink, polyurethane, tea, 12(h) × 18(w) × 6(d) inches.
Central gallery: From left: “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet; “Latent Condition No.1 (H. Humbert)”, 2018, laser etched & cut wood, stain, acrylic, latex, polyurethane 24(h) x 36(w) x 1(d) inches; Back: “Resting Bitchface No.1” 2017, wood, MDF, cast plastic, plaster, ink, acrylic, latex 18 1⁄2(h) x 18 1⁄2(w)x 1(d) inches.
Central Gallery: From left: “KSW/ Keeping Scientology Working”, 2018, wood, cast plastic, cast foam, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Russell Targ”, 2018, wood, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Bridge To Total Freedom No.3 (Diminishing Returns)”, 2017, wood, laser-cut MDF, cast plastic, plaster ink, acrylic, polycrylic, paper, latex 24(w) x 48(h) x 1-1/2(d) inches; “Latent Condition No.1 (H. Humbert)”, 2018, laser etched & cut wood, stain, acrylic, latex, polyurethane 24(h) x 36(w) x 1(d) inches; Back: “Knee Vignette #1”, 2016, wood, fiberglass, chipboard, latex, enamel, paper, ink, polyurethane, tea, 12(h) × 18(w) × 6(d) inches.
East gallery: “Neil Before Zod: Anteroom (For Karl Wolfe)”, 2019, wood, elevator padding, glass lens, led lights, architectural model (within) Periscope: 56(h) x 28(d) x 18(w).
East gallery: From left: “Bridge To Total Freedom No.4”, 2019, wood, laser-cut MDF, acrylic, ink 15 7/8(w) x 15 7/8(h) x 4 ¼(d) inches; “Neil Before Zod: OSS (One Small Steppe)”, 2018-2020, (Structure, Model Vignette, Audio), wood, elevator padding, foam, mortar, laser-cut MDF, architectural model (within), audio 3.5(w) x 7(h) x 5.5(d) feet.
East gallery: From left: “Neil Before Zod: OSS (One Small Steppe)”, 2018-2020, (Structure, Model Vignette, Audio), wood, elevator padding, foam, mortar, laser-cut MDF, architectural model (within), audio 3.5(w) x 7(h) x 5.5(d) feet; “Resting Bitchface No.1” 2017, wood, MDF, cast plastic, plaster, ink, acrylic, latex 18 1⁄2(h) x 18 1⁄2(w)x 1(d) inches.
Central gallery: From left: “Paul Bremer”, 2016, wood, cast plastic, chipboard, acrylic, MDF, wire, foam, sand, ink 14(W) x 24(h) x 6(d) inches; “KSW/ Keeping Scientology Working”, 2018, wood, cast plastic, cast foam, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Russell Targ”, 2018, wood, laser cut MDF, acrylic, ink 24(w) x 48(h) inches; “Bridge To Total Freedom No.3 (Diminishing Returns)”, 2017, wood, laser-cut MDF, cast plastic, plaster ink, acrylic, polycrylic, paper, latex 24(w) x 48(h) x 1-1/2(d) inches; “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, Clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet.
Central gallery: “Paul Bremer”, 2016, wood, cast plastic, chipboard, acrylic, MDF, wire, foam, sand, ink 14(W) x 24(h) x 6(d) inches; “Knee Vignette #3”, 2017, wood, laser-etched chipboard, laser-cut plywood, latex, enamel, paper, ink, polyurethane, tea, 12(h) × 18(w) × 6(d) inches; “Knee Vignette #1”, 2016, wood, fiberglass, chipboard, latex, enamel, paper, ink, polyurethane, tea, 12(h) × 18(w) × 6(d) inches; “Neil Before Zod: LEM/LAM”, 2018-2020, wood, elevator padding, clip lights, craft paper, incense; 6.5(h) x 5.25(w) x 12(L) feet.
West gallery: “Neil Before Zod: Clementine”, 2018-2020, wood, elevator padding, steel, moveable cart, architectural model (within), audio track 3.5(w) x 6.5(h) x 7(l) feet and interior view depicting detail miniature diorama.
View of exterior and interior of installation by Buffalo-based sculptor Gary Sczerbaniewicz.
East gallery: “Neil Before Zod: Anteroom (For Karl Wolfe)”, 2019, wood, elevator padding, glass lens, led lights, architectural model (within) Periscope: 56(h) x 28(d) x 18(w) and interior view depicting detail miniature diorama.
East Gallery: “Neil Before Zod: OSS (One Small Steppe)”, 2018-2020, (Structure, Model Vignette, Audio), wood, elevator padding, foam, mortar, laser-cut MDF, architectural model (within), audio 3.5(w) x 7(h) x 5.5(d) feet and interior view depicting detail miniature diorama.
Detail from interior of diorama imbedded in “Neil Before Zod: LEM/LAM”, 2018-2020.
Gary Sczerbaniewicz, “Russell Targ”, 2018, wood, laser cut MDF, acrylic, ink 24(w) x 48(h) x 1(d) inches.