Laying in the Cut Exhibition Photos

Central gallery, from Left: Jack Elliott, “Junctus Ferrum”, 2021, Cast iron, 13 x 12 ½ x 6 ¾ inches; “Dianic”, 2013, Slippery Elm, 56 x 56 x 48 inches; “Stella”, 2019, Cuban mahogany, 120 x 96 x 30 inches; “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches; “Asclepius”, 2020, Red oak root, Urushi lacquer, 26 3/8 x 11 ¼ x 7 inches. Back, east gallery: “Carya Corpus”, Laser cut on LDF (Low Density Fiberboard), 120 x 48 inches.

" Central gallery: Jack Elliott, “Junctus Ferrum”, 2021, Cast iron, 13 x 12 ½ x 6 ¾ inches; “Stella”, 2019, Cuban mahogany, 120 x 96 x 30 inches; “Dianic”, 2013, Slippery Elm, 56 x 56 x 48 inches; “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches; Wall: “Carya Contour”, 2021, Laser print on 20-pound paper, 239 x 52 inches. Back, east gallery: “Carya Corpus”, Laser cut on LDF (Low Density Fiberboard), 120 x 48 inches.

Central gallery, floor, from left: Jack Elliott, “Junctus Ferrum”, 2021, Cast iron, 13 x 12 ½ x 6 ¾ inches; “Plexus”, 2021, Weeping willow, 72 x 48 x 48 inches; Wall: “Carya Contour”, 2021, Laser print on 20-pound paper, 239 x 52 inches; “Asclepius”, 2020, Red oak root, Urushi lacquer, 26 3/8 x 11 ¼ x 7 inches.

Central gallery, floor, from left: Jack Elliott, “Junctus”, 2018, Cuban mahogany, 6 x 5 x 4 inches; “Junctus Ferrum”, 2021, Cast iron, 13 x 12 ½ x 6 ¾ inches; “Stella”, 2019, Cuban mahogany, 120 x 96 x 30 inches; “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches; Wall: “Carya Contour”, 2021, Laser print on 20-pound paper, 239 x 52 inches.

Central gallery, floor, from left: Jack Elliott, “Centaro”, 2021, Sycamore, 13 ½ x 32 ¾ x 7/8”; “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches; “Plexus”, 2021, Weeping willow, 72 x 48 x 48 inches; “Stella”, 2019, Cuban mahogany, 120 x 96 x 30 inches.

Central gallery, floor, from left: Jack Elliott, “Dianic”, 2013, Slippery Elm, 56 x 56 x 48 inches; “Junctus Ferrum”, 2021, Cast iron, 13 x 12 ½ x 6 ¾ inches; “Stella”, 2019, Cuban mahogany, 120 x 96 x 30 inches; “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches.

Central gallery, floor: Jack Elliott, “Plexus”, 2021, Weeping willow, 72 x 48 x 48 inches.

Central gallery, floor, from left: Jack Elliott, “Taxus II”, 2020, Canadian yew, 18 x 24 x 12 inches; “Plexus”, 2021, Weeping willow, 72 x 48 x 48 inches; Wall: “Curule”, 2020, Red oak, Urushi lacquer, 4 x 8 1/8 x 17 ½ inches; “Ruptura”, 2020, Sugar maple root, Urushi lacquer, 4 x 3 ½ x 4 ½ inches; “Nexus”, 2020, Red oak, Urushi lacquer, 11 ½ x 4 x 4 ¼”.

West gallery, from left: Jack Elliott, “Carya Pellus”, 2021, Shagbark hickory on hickory plywood, 120 ½ x 48 ½ inches; “Argenteum”, 2013, Spalted silver maple, 72 x 36 x 38 inches; “Torqueo”, 2017, Black cherry, 36 x 84 x 36 inches.

West gallery, from left, floor: Jack Elliott, “Torqueo”, 2017, Black cherry, 36 x 84 x 36 inches; “Argenteum”, 2013, Spalted silver maple, 72 x 36 x 38 inches; Wall: “Firewood” series (three sets), 2016, Red oak, 3D printed polycarbonate, approximately 6 x 5 x 17 ½ inches each.

East gallery, from left: Jack Elliott, “Demisi”, 2016, Paper birch, 48 x 24 x 24 inches; Wall: “Carya Corpus”, Laser cut on LDF (Low Density Fiberboard), 120 x 48 inches; Floor: “Apex”, 2017, Red oak, 42 x 18 x 8 inches.

East gallery, from left: Jack Elliott, “Urbis”, 2021, Red Oak, 48 x 12 x 6 inches; “Demisi”, 2016, Paper birch, 48 x 24 x 24 inches.

East gallery, from left: Jack Elliott, “Morbus”, 2013, White ash, 15 48 x 23 inches; Wall: “Carya Corpus”, Laser cut on LDF (Low Density Fiberboard), 120 x 48 inches; Floor: “Demisi”, 2016, Paper birch, 48 x 24 x 24 inches.

Critique Space/Sculpture Pit, from left: Jack Elliott, “Genuflectus”, 2015, Pignut hickory, 36 x 120 x 24 inches; “Coetus Ungula”, 2021, Red Oak, 48 x 36 x 30 inches each; “Precaria”, 2018, White ash, 40 x 137 x 57 inches; Wall: Video projection: Time-lapse of deforestation from around the globe from 1984 to 2020, source: Google Earth, 3:18 minutes.

Critique Space/Sculpture Pit, from left: Jack Elliott, “Coetus Ungula”, 2021, Red Oak, 48 x 36 x 30 inches each; “Precaria”, 2018, White ash, 40 x 137 x 57 inches; “Venus”, 2021, Eastern White pine, 31 x 54 x 34 inches.

Critique Space/Sculpture Pit, from left: Jack Elliott, “Genuflectus”, 2015, Pignut hickory, 36 x 120 x 24 inches; “Coetus Ungula”, 2021, Red Oak, 48 x 36 x 30 inches each; “Precaria”, 2018, White ash, 40 x 137 x 57 inches; Wall: Video projection: Time-lapse of deforestation from around the globe from 1984 to 2020, source: Google Earth, 3:18 minutes.

Critique Space/Sculpture Pit, from left: Jack Elliott, “Coetus Ungula”, 2021, Red Oak, 48 x 36 x 30 inches each; “Precaria”, 2018, White ash, 40 x 137 x 57 inches; “Venus”, 2021, Eastern White pine, 31 x 54 x 34 inches; Upper: Hallway Gallery (east)/ Daniels Foyer Gallery: “Nodes: The Verón Project”.

Hallway Gallery (west)/ Daniels Foyer Gallery: Jack Elliott, “Triaconta”( tesselas modular), 2021, Wood, steel, cast aluminum, 170 x 89 x 2 5/5 inches.

Hallway Gallery (west)/ Daniels Foyer Gallery: Jack Elliott, “Triaconta” (tesselas modular), detail, 2021, Wood, steel, cast aluminum, 170 x 89 x 2 5/5 inches.

Hallway Gallery (east)/ Daniels Foyer Gallery: Jack Elliott, visual and material documentation of ongoing “Nodes: The Verón Project”, various sizes and materials. For more information, visit the Dowd Gallery website.

Hallway Gallery (east)/ Daniels Foyer Gallery: Jack Elliott, visual and material documentation of ongoing “Nodes: The Verón Project”, various sizes and materials. For more information, visit the Dowd Gallery website.